"Along the Field" Songs for Soprano & Violin
by Ralph Vaughn Williams
Laura Sutton Floyd, soprano
Melissa Barrett, violin
If your computer's sound system is working you should be hearing a commercially recorded excerpt.
I.      We'll to the woods no more
II.     Along the field
III.    The half-moon westers low
IV.    In the morning
V.     The sigh that heaves the grasses
VI.    Good-bye
VII.   Fancy's Knell
VIII.  With rue my heart is laden

Ralph Vaughan Williams left a varied body of work that includes orchestral works, songs, operas, and choral compositions.  He was considered a master of melody and mood and excelled at  the art of accompaniment-writing.  Rather than follow the traditional practice of using a piano to accompany a solo voice, Vaughan Williams chose the violin to accompany many of his songs including the set called Along the Field.  The poetry of     A. E. Housman, the well-known A Shropshire Lad and Last Poem, provided the text for this eight-verse song cycle written in 1927.

The national, pastoral, and traditional elements of Housman's poems appealed to Vaughan Willams  due to his interest in preserving the rich history of English folk songs.  Ranging from simple humming sounds to evocations of rural dances, the violin plays the role of the rustic fiddler, here, an appropriate match for the pastoral verses.  The dominant themes are love, a pastoral nostalgia, and the sacrifice of young soldiers going to war, never to return.