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With more than 80 compositions to his credit, Arvo Pärt is considered one of the most important living composers of concert music. Born in placecountry-regionEstonia in 1935, his early works show influences of Russian composers such as Shostakovich and Bartok. But he became restless with established styles and for a decade experimented with avant garde compositional techniques. In 1968, censored by the Soviets who had occupied Estonia and deeply dissatisfied with his life and work, Pärt retreated into self-imposed silence. Converting to the Russian Orthodox faith, he devoted himself to the study of early Western music (eg plainsong) and Eastern mysticism.
The composer reappeared in1977 with a set of six chamber pieces entitled “Fratres” or brethren, of which Fratres for String Quartet is a particularly fine example. The style is spare, even minimalist, and each musical element is tightly controlled. Texture is transparent; rhythmic patterns are short and oft-repeated; pitches are few and widely-spaced; timbres (color) are distinctive and unique for each of the six Fratres compositions. “Tintannabulation” is Pärt's name for a particular technique he first used in these pieces and continues to use today. It means “ringing of the bells,” and we'll demonstrate briefly prior to our performance.
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